Interviews:
No Depression
Work & Worry
“I’m stunned by the raw talent of younger performers like Daniel Bachman (a.k.a. Sacred Harp) and Sam Moss.”- Lars Gotrich, NPR
About Neighbors:
“Neighbors is the best kind of home-made music, intensely personal, deeply felt and well-played without being fussed over.”- Jennifer Kelly, Dusted Magazine
“Absolutely marvelous.”- Sideways Through Sound
“Pensive, heartfelt, and hearty.”- Ammuse
“Absolutely gorgeous… There’s a deep melancholy running throughout the EP, giving it a strength and, at the same time, a fragility that begs to be heard.”- Stic-of-the-Week
About Eight Constructions:
“Amazing… This album’s got it all, floating and shimmering guitar figures, droning and ringing strings, atonal scratches, bluesey tunes.” 10/10- DFBM
“Moss is as fine a candidate as anyone for becoming the steel-string acoustic guitar’s 21st century torchbearer.” – Adequacy.net
About Moss’ track from Imaginational Anthem IV:
“Sam Moss, from Boston, contributes a radiant, intricate “Miniature Dwellings II,” with an assurance and rhythmic certainty that reminds you of Jack Rose.”- Blurt Magazine
“… this song makes me pine for Neil Young’s Harvest, which is my way of offering strong praise. The melody, which manages to sound as if it is rolling across itself, is pure Young magic.”- Pop Matters
About The Moon Tears It Down:
“Raw, intimate, occasionally lo-fi, and often brilliant.” – Adequacy.net
“[The Moon Tears It Down] features six fully-realized guitar compositions of the finger-picked style of John Fahey, but more usefully, with the dark humor of Richard Bishop’s solo material.” – Animal Psi
